Saturday 18 February 2012

reserch

for my final project i am inspired by Carole Itter and her piano hanging piece. i was thinking of some how getting a gient tire that could hang and turn like the erath. in the middle of the tire i would divide it into different sections to show the impact of human pollution on earth. this would theoretically be a 3d installation and be made with as much reused matterals as i can find. The world would  show the foot print of how we use and destroy our world. the tire would be like an imprint of what we are doing ourselfs. Also as i was resrching i found another artist that i like named Holly A Senn


Holly A Senn

Holly A. Senn is known for her botanically inspired sculptures and installations created from discarded library books. In these labor-intensive works she explores the life cycle of ideas—how ideas are generated, dispersed, referenced or forgotten. Senn has exhibited in venues including the Brooklyn Public Library in New York, 23 Sandy Gallery in Portland, Center on Contemporary Art in Seattle, and spaces in Tacoma including Spaceworks Tacoma, Tacoma Contemporary’s Woolworth Windows, Fulcrum Gallery, Kittredge Gallery, and Collins Memorial Library. Awards include the Grant for Artists Projects (GAP) from Artist Trust and a Tacoma Artists Initiative Program (TAIP) grant from the Tacoma Arts Commission. Born in California, Senn graduated from the University of California, Berkeley (M.L.I.S) and Mills College (B.A.). She works as a librarian at Pacific Lutheran University. Since 2001 she has lived and worked in Tacoma, Washington.

 Carole Ittle

Artist, writer, filmmaker. Carole Itter is an artist, writer, performer, and filmmaker. Her solo exhibitions include Rattles (Western Front, 1984), The Float (Or Gallery, 1995), The Pink Room (grunt gallery, 2000), and Metallic: A Fish Film (grunt gallery, 2007). Her work was also included in WACK! Art and the Feminist Revolution at the Vancouver Art Gallery in 2008. Itter has collaborated extensively with artist and musician Al Neil. Along with Daphne Marlatt, she compiled and edited Opening Doors (1979), an archive of oral history about Vancouver’s East End as part of the Sound Heritage Series for the British Columbia Provincial Archives. Itter’s work is included in the collections of The Canada Council Art Bank, the Vancouver Public Library, and the Vancouver Art Gallery


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